Features & Reviews
"From the perspective of an educator I foresee limitless potential in bringing Classics Illustrated into the classroom. Probably well-known to teachers, parents, and librarians the Classics Illustrated titles are sure to be engaging and exciting comic book stories for an entirely new generation of readers. An A+ idea and comic book execution ebook format, I highly recommend these titles make their way into your child or student’s hands." - Dr. Katie Monnin Assistant Professor of Literacy at the University of North Florida
"Graphic Novels are beginning to earn a natural place in the classroom because the comics format has grown to encompass many thought-provoking ideas as well as providing powerful storytelling." - Stephen Weiner, Building Literacy Connections with Graphic Novels; Page by Page, Panel by Panel:
"The drawings and styles of different periods of time give children background information that they could not possibly learn in such detail by words alone." - Charlotte Stafford, pg 253 Classics Illustrated A Cultural History
Classics Illustrated was the most significant, successful, and influential publication of its kind. "They were the only comic books my parents would let me buy. - William B. Jones, Classics Illustrated A Cultural History
"Because students are more invested and engaged in graphic novels, their writing is more interesting, authentic and passionate. This provides more opportunity to facilitate writing instruction and skill development." - Maureen Bakis, The Graphic Novel Classroom: Powerful Teaching & Learning with Images
"A substantial, expanding body of evidence asserts that using graphic novels and comics in the classroom produces effective learning opportunities over a wider range of subjects and benefits various student populations, from hesitant readers to gifted students." - James Bucky Carter, Building Literacy Connections with Graphic Novels; Page by Page, Panel by Panel:
About the Author
A legendary French author and pioneer of the science fiction genre, Jules Verne wrote visionary tales of space, air, and underwater adventure in classics like Twenty Thousand Leagues Under the Sea (1869) and Around the World in Eighty Days (1873).
The creator of the roman scientifique, the popular literary genre known today as science fiction, Jules Gabriel Verne was born in the port town of Nantes, France, in 1828. His father, Pierre, was a prominent lawyer, and his mother, Sophie, was from a successful ship-building family. Despite his father's wish that he pursue law, young Jules was fascinated by the sea and all things foreign and adventurous. Legend holds that at age eleven he ran away from school to work aboard a ship bound for the West Indies but was caught by his father shortly after leaving port. Jules developed an abiding love of science and language from a young age. He studied geology, Latin, and Greek in secondary school, and frequently visited factories, where he observed the workings of industrial machines. These visits likely inspired his desire for scientific plausibility in his writing and perhaps informed his depictions of the submarine Nautilus and the other seemingly fantastical inventions he described.
After completing secondary school, Jules studied law in Paris, as his father had before him. However, during the two years he spent earning his degree, he developed more consuming interests. Through family connections, he entered Parisian literary circles and met many of the distinguished writers of the day. Inspired in particular by novelists Victor Hugo and Alexandre Dumas (father and son), Verne began writing his own works. His poetry, plays, and short fiction achieved moderate success, and in 1852 he became secretary of the Theatre lyrique. In 1857 he married Honorine Morel, a young widow with two children. Seeking greater financial security, he took a position as a stockbroker with the Paris firm Eggly and Company. However, he reserved his mornings for writing. Baudelaire's recently published French translation of the works of Edgar Allan Poe, as well as the days Verne spent researching points of science in the library, inspired him to write a new sort of novel: the roman scientifique. His first such novel, Five Weeks in a Balloon, was an immediate success and earned him a publishing contract with the important editor Pierre-Jules Hetzel.
For the rest of his life, Verne published an average of two novels a year; the fifty-four volumes published during his lifetime, collectively known as Voyages Extraordinaires, include his best-known works, Around the World in Eighty Days and Twenty Thousand Leagues Under the Sea. Begun in 1865 and published to huge success in 1869, Twenty Thousand Leagues has been translated into 147 languages and adapted into dozens of films. The novel also holds the distinction of describing a submarine twenty-five years before one was actually constructed. As a tribute to Verne, the first electric and nuclear submarines were named Nautilus. In 1872 Verne settled in Amiens with his family. During the next several years he traveled extensively on his yachts, visiting such locales as North Africa, Gibraltar, Scotland, and Ireland. In 1886 Verne's mentally ill nephew shot him in the leg, and the author was lame thereafter. This incident, as well as the tumultuous political climate in Europe, marked a change in Verne's perspective on science, exploration, and industry. Although not as popular as his early novels, Verne's later works are in many ways as prescient. Touching on such subjects as the ill effects of the oil industry, the negative influence of missionaries in the South Seas, and the extinction of animal species, they speak to concerns that remain urgent in our own time.
Verne continued writing actively throughout his life, despite failing health, the loss of family members, and financial troubles. At his death in 1905 his desk drawers contained the manuscripts of several new novels. Jules Verne is buried in the Madeleine Cemetery in Amiens.
In this Classics Illustrated version of this pioneering, nineteenth-century science fiction novel, the brilliant but strange Captain Nemo has designed a gigantic submarine, which he now captains. With his crew, he uses his submarine, the Nautilus, as a weapon of vengeance against the civilization that has rejected and exiled him. Beautifully illustrated, this tale captures the imagination of readers of all ages and inspires a love of reading and literature. A must-have classic for your digital library!
Classics Illustrated Synopsis
By William B. Jones, Author of Classics Illustrated: A Cultural History
For thirty years, from 1941 to 1971, CLASSICS ILLUSTRATED (originally known as CLASSIC COMICS) introduced GIs, bobby-soxers, and their baby-boom children to "Stories by the World's Greatest Authors"--a category that encompassed Homer's ODYSSEY and Frank Buck's BRING 'EM BACK ALIVE, Shakespeare's HAMLET and Talbot Mundy's KING--OF THE KHYBER RIFLES, Goethe's FAUST and Owen Wister's VIRGINIAN. Although the comic-book series of literary adaptations and biographies was disparaged by educator May Hill Arbuthnot and attacked by crusader Fredric Wertham, it gradually won the applause of skeptics and the affection of at least two generations.