Features & Reviews
"From the perspective of an educator I foresee limitless potential in bringing Classics Illustrated into the classroom. Probably well-known to teachers, parents, and librarians the Classics Illustrated titles are sure to be engaging and exciting comic book stories for an entirely new generation of readers. An A+ idea and comic book execution ebook format, I highly recommend these titles make their way into your child or student’s hands." - Dr. Katie Monnin Assistant Professor of Literacy at the University of North Florida
"Graphic Novels are beginning to earn a natural place in the classroom because the comics format has grown to encompass many thought-provoking ideas as well as providing powerful storytelling." - Stephen Weiner, Building Literacy Connections with Graphic Novels; Page by Page, Panel by Panel:
"The drawings and styles of different periods of time give children background information that they could not possibly learn in such detail by words alone." - Charlotte Stafford, pg 253 Classics Illustrated A Cultural History
Classics Illustrated was the most significant, successful, and influential publication of its kind. "They were the only comic books my parents would let me buy. - William B. Jones, Classics Illustrated A Cultural History
"Because students are more invested and engaged in graphic novels, their writing is more interesting, authentic and passionate. This provides more opportunity to facilitate writing instruction and skill development." - Maureen Bakis, The Graphic Novel Classroom: Powerful Teaching & Learning with Images
"A substantial, expanding body of evidence asserts that using graphic novels and comics in the classroom produces effective learning opportunities over a wider range of subjects and benefits various student populations, from hesitant readers to gifted students." - James Bucky Carter, Building Literacy Connections with Graphic Novels; Page by Page, Panel by Panel:
About the Author
Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France.
Victor Hugo's first mature work of fiction appeared in 1829, and reflected the acute social conscience that would infuse his later work. Le Dernier jour d'un condamne (The Last Day of a Condemned Man) would have a profound influence on later writers such as Albert Camus, Charles Dickens, and Fyodor Dostoevsky. Claude Gueux, a documentary short story about a real-life murderer who had been executed in France, appeared in 1834, and was later considered by Hugo himself to be a precursor to his great work on social injustice, Les Miserables. But Hugo's first full-length novel would be the enormously successful Notre-Dame de Paris (The Hunchback of Notre-Dame), which was published in 1831 and quickly translated into other languages across Europe. One of the effects of the novel was to shame the City of Paris into restoring the much-neglected Cathedral of Notre Dame, which was attracting thousands of tourists who had read the popular novel. The book also inspired a renewed appreciation for pre-renaissance buildings, which thereafter began to be actively preserved.
Hugo began planning a major novel about social misery and injustice as early as the 1830s, but it would take a full 17 years for Les Miserables, to be realized and finally published in 1862. Hugo was acutely aware of the quality of the novel and publication of the work went to the highest bidder. The Belgian publishing house Lacroix and Verboeckhoven undertook a marketing campaign unusual for the time, issuing press releases about the work a full six months before the launch. It also initially published only the first part of the novel ("Fantine"), which was launched simultaneously in major cities. Installments of the book sold out within hours, and had enormous impact on French society.
Les Miserables proved popular enough with the masses that the issues it highlighted were soon on the agenda of the French National Assembly. Today the novel remains his most enduringly popular work. It is popular worldwide, has been adapted for cinema, television and stage shows.
Loaded with intrigue and suspense! The incredible love story of the man whose face has been disfigured into a laughing mask in childhood, the loyal blind girl who gives him her heart, and the cruelty of the privileged aristocracy whose laughingstock and savior he becomes, is remarkable in its emotional impact. Hugo wrote The Man Who Laughs over a period of fifteen months while he was living in the Channel Islands, having been exiled from his native France because of the controversial political content of his previous novels. Beautifully illustrated, this classic captures the imagination of readers of all ages and inspires a love of literature and reading.
Classics Illustrated Synopsis
By William B. Jones, Author of Classics Illustrated: A Cultural History
For thirty years, from 1941 to 1971, CLASSICS ILLUSTRATED (originally known as CLASSIC COMICS) introduced GIs, bobby-soxers, and their baby-boom children to "Stories by the World's Greatest Authors"--a category that encompassed Homer's ODYSSEY and Frank Buck's BRING 'EM BACK ALIVE, Shakespeare's HAMLET and Talbot Mundy's KING--OF THE KHYBER RIFLES, Goethe's FAUST and Owen Wister's VIRGINIAN. Although the comic-book series of literary adaptations and biographies was disparaged by educator May Hill Arbuthnot and attacked by crusader Fredric Wertham, it gradually won the applause of skeptics and the affection of at least two generations.